Category Archives: Textile
Robert Forman lives in New Jersey, USA and he began making yarn paintings in 1969 while still in High School. His technique, inspired by Huichol yarn paintings, involves gluing yarn, cotton, linen, rayon, and silk to hard, flat surfaces. Robert’s yarns vary in material and thickness. His materials include cotton, linen, silk, and rayon. The diameter ranges from sewing thread to eighth inch cord.
As part of British Library’s epic exhibition celebrating eight centuries of Magna Carta, a new embroidered artwork by Cornelia Parker was unveiled in May. A landmark in constitutional history and a foundation of the concept of the rule of law, Magna Carta is one of the most famous documents ever written. What began life in the13th centuryas apeace treaty between King John and his barons has come to be viewed as the great charter of civil liberties and retains enormous symbolic power as an ancient defence of individual rights and freedoms.
Fabric paints are available in two basic sorts – those that are absorbed into the fabric and those that rest on the surface of the cloth. While both varieties are suitable for painting light-coloured backgrounds, if you intended to work on a dark ground you will need to select the sort that rests on the surface of the cloth. This is the most important in order to preserve a clear outline and to prevent the background colour from showing through. The main drawback of working with opaque fabric paints is that they do tend to stiffen the fabric, which affects the drape of the cloth. So, although they are acceptable for furnishing fabrics, blinds and cushion covers, they don’t work as well on garments.
Textile artist Annie Hutchinson is born in Wales and she graduated from Cheltenham Art College in 1989. She experimented in different media as a part of her study of Fine Art Sculpture, but she sticks mostly with textiles because of its ‘limitless supplyof pattern, texture and colour’. She like the possibility of creating and developing the ideas while she is working on her art pieces, and that is something that thread and textiles allow her. Annie says, “Life in the 21st century can be a bit hectic: everyone is in such a rush, wanting things done yesterday… when I’m hand stitching or needle felting it allows me to jump off the merry go round.”
Considered to be the mother of yarn bombing, Magda Sayeg’s work has evolved to include the knitted/crocheted covered bus in Mexico City, as well as her first solo exhibit in Rome at La Museo des Esposizione in the summer of 2010 . What is ‘yarn bombing’ anyway? It has many other names such as guerrilla knitting, kniffiti, urban knitting is a type of street art similar to graffiti, but instead of paints and spray cans uses yarn and textile materials.
Emily Jo Gibbs is a British Artist who over the last two decades has established an international reputation for her exquisite work. She has received significant critical acclaim and examples of her work are in several museum collections including the V&A, London and The Museum of Fine Art, Houston. Emily is a member of the 62 Group of Textile Artists and in 1998 was formally elected as a Fellow of the Royal Society of Arts.
The colours can be scientifically described, however, this description can’t fully communicate the sensation or emotional effect of a colour. So often we name the colour based on our familiar and shared knowledge of the world – after animals (elephant grey or canary yellow); flowers and vegetables (lilac, mushroom, tomato red), sweets and spices (saffron yellow, toffee); minerals and jewels (pearl, coral, jade) and so on.
Braids are a byway of weaving. One of the many journeys weavers can go on. In amongst tying knots and intertwining yarn, we use braids to embellish our unique woven textiles. Weaving braids is addictive, puzzle-like and absorbing. Whether it’s for a trim, edge finish or a closure, braiding techniques are an essential tool in a weaver’s skill box.
The shaggy pile of this rag rug was made using the proddy technique, with wool and cotton recycled fabrics. Six small squares are made and then joined together in the final piece – a wonderfully tactile and functional rug that would be ideal for the bedside, doorway, or in a front of a fireplace.
The Ros Tapestry Project is a massive community initiative in progress in the County of Wexford. Conceived in 1998 and being developed by over a 150 dedicated volunteers, fifteen striking embroidered panels – 6 x 4 foot each – it is a cultural and historical accolade to its creators.