Category Archives: Textile
Textiles have a history of political use as emblems within campaigns and causes, whether trade union banners, uniforms or signature quilts. As the USA slides into the final furlong of the presidential election, The Textile Museum presents Your Next President! which presents rare campaign flags and patriotic textiles from the Mark and Rosalind Shenkman Collection, which explore how presidential campaigning developed in the 19th century.
Reflecting on his ambition for the Regent Street store he opened in 1875, Arthur Lasenby Liberty said: `I was determined not to follow existing fashion but to create new ones.’ Mission accomplished – Liberty celebrates its 140th anniversary last year and its oriental inspired and floral prints have remained desirable throughout its history, confounding the rules of the fashion.
Knotted scarfs will always be fashionable items. Tempted by the balls of soft, luxurious wool in your local haberdashery shop? You can make a cosy knotted scarf without knowing how to knit; simply knot strands of wool together to make this pretty macramé criss-cross design. You can use any type of thick wool, but the scarf will look the best if your chosen yarn is soft and fluffy.
With these upcycle project ideas you will discover new ways to reuse fabric remnants, wrapping and wallpaper off-cuts, and other household items. It is surprising what can be done with a little resources, a bit of effort and a good plan. You may be able to restore the old piece of furniture and put it with a pride in your bedroom, create an unique presents for friend or family or refresh your home with small additions you have make yourself. And all that can be so affordable and easy to make. So exciting!
This knitted friendly polar bear hat will keep you warm and cosy – and make you smile, too. Animal knit is so popular at Christmas time, but this hat is really special. It is very gentle and fluffy, and so cute, that everybody will want one. It is a perfect Christmas gift! This pattern is in one size to fit an average adult head.
Emily Sutton grew in a small village in North, Yorkshire and now lives in York. She studied illustration at Edinburgh College of Art, which also included six months at the Rhode island School of Design. Since then, she has exhibited both her prints and textiles and illustrated books for children and adults. With a lifelong love of drawing and painting, Emily uses a combination of these approaches in her current work.
Africa is a great and varied continent of wide horizons and clear blue skies, which has long held a fascination for those born outside its bounds. Over the centuries its wealth of minerals, animal products and manpower has drawn in colonists and traders, slavers and missionaries alike. Its huge population is of diverse origin: people of Arab and Berber descent in the north, Khoisan-speakers and European colonists in the extreme south, Nilotic-speaking peoples in the north-east, and south of the Sahara a rich mix of groups who speak one of the Bantu languages.
Robert Forman lives in New Jersey, USA and he began making yarn paintings in 1969 while still in High School. His technique, inspired by Huichol yarn paintings, involves gluing yarn, cotton, linen, rayon, and silk to hard, flat surfaces. Robert’s yarns vary in material and thickness. His materials include cotton, linen, silk, and rayon. The diameter ranges from sewing thread to eighth inch cord.
As part of British Library’s epic exhibition celebrating eight centuries of Magna Carta, a new embroidered artwork by Cornelia Parker was unveiled in May. A landmark in constitutional history and a foundation of the concept of the rule of law, Magna Carta is one of the most famous documents ever written. What began life in the13th centuryas apeace treaty between King John and his barons has come to be viewed as the great charter of civil liberties and retains enormous symbolic power as an ancient defence of individual rights and freedoms.
Fabric paints are available in two basic sorts – those that are absorbed into the fabric and those that rest on the surface of the cloth. While both varieties are suitable for painting light-coloured backgrounds, if you intended to work on a dark ground you will need to select the sort that rests on the surface of the cloth. This is the most important in order to preserve a clear outline and to prevent the background colour from showing through. The main drawback of working with opaque fabric paints is that they do tend to stiffen the fabric, which affects the drape of the cloth. So, although they are acceptable for furnishing fabrics, blinds and cushion covers, they don’t work as well on garments.